To make the lightsabers look real, the special effects artist looks at each frame on the computer screen, outlines the broomsticks, colors the areas and diffuses them (frame by frame by frame.). In a digital world, each frame of the movie is scanned into a computer at extremely high resolution so that each frame can be manipulated on a computer screen. The effect is amazing - the lightsabers look incredibly bright and real!Īs movies move further into the digital realm, the job of animating the lightsabers gets slightly easier, but not much. Before it is developed, however, the actual footage from the movie is double-exposed onto this same film. If you were to play this film in a projector, all you would see is the lightsaber blades moving on a black background. On this film, each animation cel is placed over a black background and shot with a light diffuser over the lens (this diffuser gives the lightsabers the glow they have around the edges). The cels are clear everywhere except where the lightsaber blade is seen in each frame. Eventually the artist has a stack of these cels, one for each frame of the movie containing a lightsaber. Then, for each frame, the artist paints in the correct color for the blade using a bright cartoon color. The special effects artist draws the outline of each lightsaber blade in the frame onto the cel. The artist looks at the film frame by frame, and projects each frame that contains a lightsaber onto a clear piece of plastic (an animation cel). A special effects artist now has the job of making those broomsticks look real. In this film, the actors look like they are fighting with painted broomsticks instead of lightsabers. After the film is shot, it is taken to the special effects department.
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